This article by Jessica Ward was submitted to Fightback, in response to an article published in the April issue (Iceland’s “peaceful revolution” – myth and reality, http://tinyurl.com/cu694hy). A reply to Jessica’s article can be found here.
In today’s world it is easy to become disillusioned. It is too easy to concede to the idea we are incapable of changing the world, to give into the apathy that plagues our generation. We are not the flower children of the 60s, we misguidedly believe that unlike days gone by noone else is angry, noone else is enraged by the disparity of wealth and incensed by politics, economics and the injustices of society. We are alone. We are all alone. Aren’t we?
Today I had the opportunity of listening to Hordur Torfason at the Dunedin School of Art. It may seem a strange place for and activist and leader of the Icelandic Revolution to give a talk but all becomes clear when listening to the ideas and attitudes of this artist. Torfason stressed in his talk the need for creative solutions, the importance of art as a way of activating people and bringing them together and of protest as a form of performance, as a way of intriguing an audience of public and media.
Torfason believes that it is the role of the artist to criticize society and remember the importance of the unseen forces that dictate us, our feelings. Art has the ability to move us, to affect us, in the words of Torfason to activate us.
We live in the age of the internet: a tool to both communicate and organize. We are the 99% and we have a way of communicating, coming together and organizing action. In a world where the media is a tool owned by the 1% to systematically ensure their wealth the internet is our tool to counter it. In the age of information there is no excuse to not have a voice (given you have access to the internet of course). Communication is also highly important in the organization of revolution or protest. It is important to ask the people what they want and to listen. Read the rest of this entry »
Posted by Ian Anderson 











